GANGA (RIVER AND GODDESS)

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By editor - 18.6 2019

Starting in the Himalayas, flowing over 2,000 km across India, going south and east all the way to the Bay of Bengal, is the Ganges River. The river is not just a physical feature of the world, it also has a spiritual connection to the Hindu religion. The river is the goddess Ganga. Hinduism has tales to describe the connection of their religion to the river and why it is important to them. The myths explain who this goddess is and also how the river came to be created and the significance of the river itself. Of all the myths in which Ganga plays a role, the main and most important one is how she came to earth. The main myth describing Ganga’s descent to earth told in the Mahabharata, the Ramayana, and in Puranas, is widely known in India (Eck 2012:138). The most popular tale of Ganga’s descent includes Siva, who plays an important role in this myth. It was with Siva’s help that Ganga landed on earth and saved the sons of King Sagara. Siva helped by catching Ganga, for the impact from her fall would destroy the earth. The Vedic myths have Indra (god of storms) playing the role of having the waters descend to earth. Indra did this by setting the water free and letting it fall to earth, as told in the Rig Veda (Eck 2012:137).

Although there are many different versions of the tale from different sources, there are themes and facts that remain the same. A main theme in all the different versions of Ganga’s descent is that the water (heavenly, celestial, and divine) descends from heaven to earth, and gave the river a connection, for example a pathway, to the heavens. Other constants within the myths are that the water falls to earth to save it, or that there was another god (Indra or Siva) to help the waters come to earth in one way or another. Another common theme is that the waters have powers of some kind. For example, the water is life-changing, and has a connection to immortality because of the presence of soma (the nectar of the gods) in the water. It is said that the Ganges River is quintessence of the source of all sacred waters, indeed of all waters, everywhere (Eck 2012:159). The Ganges River is sacred water, and is an essential element for all the Hindu rites and rituals (Singh 210).  The important factor of all the myths was that Ganga came from the heavens with her celestial water to save earth in some way.

The goddess Ganga is linked through symbolism to the Trivanti at Prayaga. She is also known as Tripathaga, or the Triple-Path River. Ganga is identified as a triple river, flowing in the three realms – in the heavens, on the earth, and in the netherworlds. The Trivanti express the nature of Ganga, whose mythology connects her with the three major gods – flowing from Visnu’s foot in heaven, falling on Siva’s hair, and carried in Brahma’s water pot (Eck 2012:149). This connection with the triple divinity is distinctly present with the Trivanti at Prayaga. The Ganga has been seen as the white river because it bears the mica-laden waters of her Himalayan course; this description is referred to in the Rig Veda (Eck 2012:145).

Ganga may be depicted as a mermaid on top of Siva’s head. This image is connected to the descent myth, when she fell from heaven to earth (Eck 1986:51). Ganga may also be portrayed on a river or surrounded by water. She is usually depicted sitting on a crocodile (makara), and with an aureole surrounding her head. She is also decorated with jewelry, such as a crown, a necklace, and other ornaments (Darian 2001:72). Like other goddesses and gods she is eerily beautiful and serene. Ganga is known to have a vase (kumbha) with her, which is said to have a connection to the purifying waters (Darian 2001:125). She is also pictured with a water lily, either holding the flower or in some images sitting on a giant flower. The images she is holding are auspicious emblems of her generosity (Eck 2012:132). Ganga’s image sometimes can be golden on a silver throne on her mount, and her holding a water pot and a lotus. The way Ganga is portrayed helps to distinguish her from the other goddesses, and the symbols that connect with water, like the crocodile, strengthens the connection to her myths.

The Ganges River and Ganga are also known as Mother Ganga. She is said to be forgiving, embracing, nourishing, and does not have any anger. Unlike other goddesses she does not have any weapons, but has symbols of auspicious blessings. Those goddesses are seen as gentle with ferocious tendencies, and although Ganga does have this potential, she is acclaimed in unambiguous terms (Eck 2012:161). In some myths she is a mother figure or has a mother role, particularly in the Vedas.

The river and the goddess, do not exist without each other. In the myths the river is the goddess, and the goddess is the river. This connection between Ganga and the river, which is the Ganges River, brings the myth into the real physical world. The myths describe where the river is, which correspond to the actual geographical placement of the river; for example from where it originates to where it ends. The myths of the river and goddess brings the spiritual world into the physical world. This connection of the goddess Ganga and the Ganges River illustrate how interwoven religion and culture are in the Hindu tradition. The myths give the actual river a mystical and powerful meaning. Although the river was originally important for survival, this spiritual connection enhances its importance to Hindus.

Ganga plays a vital role in worship and ceremonies, in rituals of birth and initiation, of purification and religious merit, of marriage and death (Singh 210). For instance, during the initiation or sacred thread ceremony (upanayana), a young man may eat nothing but bread and water from the Ganges. Another example is that Hindus often wish to have a person’s ashes scattered on the sacred river after death (Darian 2001:14). Ganga worshipped as a source of life and generation, and in some rituals water is taken from the Ganges River, put in a pot and used to ensure a good harvest. Another ritual is for newly married women to go to the river and pray for children and the long life for her husband (Darian 2001:37). A ritual at the river is where one takes the water in their hands and pours it back as offerings to the departed ancestors and the gods (Eck 2012:131-132). There is another ritual where the water from the Ganges River is poured on a representation of Siva (linga) at shines and temples. It is to recreate Ganga’s fall from heaven and through Siva’s hair. This ritual is either done constantly, or done by a worshipper who brought the water themselves. This simple ritual is done countless times daily (Eck 2012:140).

There is a ten-day festival called Dasahara, which celebrates the descent of Ganga from heaven to earth or Ganga’s birth. During this festival the river is filled with boats and decorated with long ropes of marigold garlands. There is even chanting Victory to Mother Ganga (Ganga Mata ki Jai) (Eck 2012:132). On the 10th of the waxing fortnight of Jyestha (May- June) is the height of the festival. It is believed by devotees that bathing in the Ganga in the morning of this day grants high merit, and destroys ten sins (dasahara) or ten lifetimes of sins. Those who worship Ganga start bathing in the river and do the associated rituals from the first day of Jyestha and complete the cycle on the 11th day (Singh 218). This day is devoted to worship of Visnu.

The myths about the river, with it having power (Shakti), has great significance to Hinduism and the culture. For the devout people who visit and worship at the river every day, it has deep connection to their way of life, and their religion. The water from the Ganges River is seen as pure, has life-giving properties, sacred, and known as the crossing place from earth to heaven. Many Hindus live near the river or pilgrimage to visit the river. Many devout people go to the river in the morning and gather on the steps (ghats) to bathe, to drink a least a few drops of the water, and take blessings or religious instructions from the priests (ghatias) at the steps. Also, there are various offerings, including ancestral offerings, on the steps (Singh 213). The Ganges River is regarded to be holy all along is course, from its source to the sea (Eck 2012:132). The rituals and these offerings show how deeply embedded the Ganga river is in Hindus’ daily lives and their religion.

 

REFERENCES AND FURTHER RECOMMENDED READING

Darian, Steven (1976) “Ganga and Sarasvati an Incidence of Mythological Projection.” East and West 26 (1/2). Istituto Italiano per l’Africa e l’Oriente (IsIAO): 153–65. http://www.jstor.org.ezproxy.alu.talonline.ca/stable/29756232.

Darian, Steven (2001) The Ganges in myth and history. Delhi: Motilal Banarsidass Publishers.

Eck, Diana (1986) “Darshan of the Image.” India International Centre Quarterly 13 (1). : 43–53. http://www.jstor.org.ezproxy.alu.talonline.ca/stable/23001674.

Eck, Diana (2012) India: a sacred geography. New York : Harmony Books.

Foulston, Lynn (2009) Hindu goddesses: beliefs and practices. Brighton [England] ; Portland, Or. : Sussex Academic Press.

Narayan, M. K. V. (2009) Exploring the Hindu mind: cultural reflections and symbolisms. New Delhi : Readworthy Publications.

Scharfe, Hartmut (1972) “The Sacred Water of the Ganges and the Styx-water”. Zeitschrift Für Vergleichende Sprachforschung 86 (1). Vandenhoeck & Ruprecht (GmbH & Co. KG): 116–20. http://www.jstor.org.ezproxy.alu.talonline.ca/stable/40849437.

Singh, Rana P. B. (1994) “Water Symbolism and Sacred Landscape in Hinduism: A Study of Benares (wassersymbolismus Und Heilige Landschaft Im Hinduismus: Eine Studie Aus Benares).” Erdkunde 48 (3). Erdkunde: 210–27. http://www.jstor.org.ezproxy.alu.talonline.ca/stable/25646594.